{"id":2871,"date":"2021-10-05T13:13:26","date_gmt":"2021-10-05T10:13:26","guid":{"rendered":"https:\/\/milliycha.uz\/?p=2871"},"modified":"2024-07-22T12:18:29","modified_gmt":"2024-07-22T09:18:29","slug":"freskalar-nima","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/freskalar-nima\/","title":{"rendered":"Freskalar nima?"},"content":{"rendered":"\n<p>Freskalar \u2014 bu, devoriy suvratlarning turlaridan biri. Freskalar suvbo&#8217;yoqlar bilan chizilgan. Freska chizish texnikasining o&#8217;ziga xosligi shundaki, rasm tamomila toza bo&#8217;lishi shart shilta, qurimagan andovaga chiziladi. Shuning uchun ham rassom dastavval qog&#8217;ozda qoralama chizib, so&#8217;ngra esa uni bo&#8217;lak-bo&#8217;lak devor yoxud toqning yuzasiga ko&#8217;chirishi kerak. Ular moybo&#8217;yoqlar paydo bo&#8217;lishidan ancha oldin ham devorlarni bezab turgan. Ammo freskalar tevarak muhitdagi shart-sharoitlarga nisbatan ta&#8217;sirchan, ular quruh va issiq iqlim sharoitida, masalan, Italiyada yaxshi saqlanadi. Freskalar \u2014 bizning ajdodlarimiz tarixi, hayoti va turmushi haqidagi muhim axborot manbai. Binobarin birgina Knossosda topilgan freskalar asosida miloddan 2 000 yil avval Yunonistondagi hayotni tasavvur qilishimiz mumkin. Shunday bo&#8217;lsa hamki, dunyodagi eng go&#8217;zal freskalar Italiya uyg&#8217;onishi davrida yaratilgan: Vatikandagi Sikstin kapellasining Mikelanjelo tomonidan chizilgan plafonlarining chiroyini tavsiflashga qalam ojizlik qiladi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Freskalar \u2014 bu, devoriy suvratlarning turlaridan biri. Freskalar suvbo&#8217;yoqlar bilan chizilgan. Freska chizish texnikasining o&#8217;ziga xosligi shundaki, rasm tamomila toza bo&#8217;lishi shart shilta, qurimagan andovaga chiziladi. Shuning uchun ham rassom &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/freskalar-nima\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-2871","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilasizmi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/2871","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=2871"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/2871\/revisions"}],"predecessor-version":[{"id":2872,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/2871\/revisions\/2872"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/657"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=2871"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=2871"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=2871"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}