TADRIJ (Arabcha \u2014 bosqichma-bosqich ilgarilash, yuksalish) \u2014 mumtoz she’riyatdagi badiiy usullardan biri; she’rda, asosan, g’azallarda muayyan obraz (yoki tushuncha)ni o’xshatishlar vositasi bilan darajamadaraja rivojlantirib borishdan iborat. Tadrij ko’pincha musalsal (zanjir hosil qiluvchi, silsilali) va voqeaband (syujetli) g’azallarga xos bo’lib, bunda kitobxon ko’z o’ngida bir obraz, tushuncha yoki holatning o’xshatishlar silsilasi orqali ifodalangan mukammal badiiy tasviri namoyon bo’ladi. Masalan, Navoiyning: Yordin ayru ko’ngul mulke durur sultoni yo’q, Mulkkim sultoni yo’q, jisme durur kim, joni yo’q. bayti bilan boshlanadigan g’azalida yordan ajralgan ko’ngilning holati haqida so’z boradi. 1-misrada yordan ajralgan «ko’ngil» «sultonsiz mamlakat»ga o’xshatilsa, 2-misrada «sultonsiz mamlakat» «jonsiz jism»ga o’xshatiladi va h. O’xshatishlar g’azalning oxirigacha darajama-daraja rivojlantirib boriladi va mukammal kompozisiyani vujudga keltiradi: yordan ajralgan ko’ngil \u2014 sultonsiz mamlakat \u2014 jonsiz jism \u2014 gulu rayhonsiz kora tufrog’ \u2014 mahi tobonsiz qorong’u kecha… Navoiydan boshqa mumtoz shoirlar ijodida ham Tadrij asosida yaratilgan voqeaband va musalsal g’azallar uchraydi.<\/p>\n","protected":false},"excerpt":{"rendered":"
TADRIJ (Arabcha \u2014 bosqichma-bosqich ilgarilash, yuksalish) \u2014 mumtoz she’riyatdagi badiiy usullardan biri; she’rda, asosan, g’azallarda muayyan obraz (yoki tushuncha)ni o’xshatishlar vositasi bilan darajamadaraja rivojlantirib borishdan iborat. Tadrij ko’pincha musalsal (zanjir … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[187],"tags":[],"class_list":["post-28842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-t-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/28842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=28842"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/28842\/revisions"}],"predecessor-version":[{"id":28845,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/28842\/revisions\/28845"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=28842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=28842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=28842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}