{"id":29817,"date":"2022-09-12T07:52:29","date_gmt":"2022-09-12T04:52:29","guid":{"rendered":"https:\/\/milliycha.uz\/?p=29817"},"modified":"2022-09-12T07:52:30","modified_gmt":"2022-09-12T04:52:30","slug":"yorkin-pavel-konstantinovich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/yorkin-pavel-konstantinovich\/","title":{"rendered":"YORKIN PAVEL KONSTANTINOVICH"},"content":{"rendered":"\n<p>YORKIN PAVEL KONSTANTINOVICH [1891.10(22). 2, Kiyev &#8212; 1952.9.12, Toshkent] \u2014 balet artisti, baletmeyster, pedagog. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1952), o&#8217;zbek professional balet san&#8217;atini yaratuvchilaridan. 1910-35 yillarda Kiyev, Odessa, Xarkov, Dnepropetrovsk, Rostov, Tbilisi opera va balet teatrlarida solist, baletmeyster va badiiy rahbar. 1935\u2014 38 yillarda Toshkent rus opera va balet teatrida baletmeyster va pedagog-repetitor. 1944\u201452 yillar Navoiy nomidagi opera va balet teatrida bosh baletmeyster. Eng yaxshi postanovkalari: &#171;Boqchasaroy favvorasi&#187; (B. Asafev), &#171;Koppeliya&#187; (L. Delib), &#171;Don Kixot&#187; (L. Minkus), &#171;Qizil gul&#187; (R. Glier), &#171;Raqqosa&#187; (G. Mushel), &#171;Oqqush ko&#8217;li&#187; (P. Chaykovskiy), &#171;Oqbilak&#187; (S. Vasilenko) va boshqalar. 17 ta opera raqslarini sahnalashtirgan. 1944 yilda teatr qoshida balet studiyasi tashkil qilib, 1948 yilgacha rahbarlik qilgan. Yorkin tashabbusi bilan Moskva xoreografiya bilim yurti krivda o&#8217;zbek balet studiyasi tashkil qilingan (1948-51).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>YORKIN PAVEL KONSTANTINOVICH [1891.10(22). 2, Kiyev &#8212; 1952.9.12, Toshkent] \u2014 balet artisti, baletmeyster, pedagog. O&#8217;zbekistonda xizmat ko&#8217;rsatgan san&#8217;at arbobi (1952), o&#8217;zbek professional balet san&#8217;atini yaratuvchilaridan. 1910-35 yillarda Kiyev, Odessa, Xarkov, &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/yorkin-pavel-konstantinovich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[196],"tags":[],"class_list":["post-29817","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-y-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/29817","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=29817"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/29817\/revisions"}],"predecessor-version":[{"id":29820,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/29817\/revisions\/29820"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=29817"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=29817"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=29817"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}