YO’LDOSHEV ERGASH (1924.1.5, Chust tumani \u2014 1991.8.1, Toshkent) \u2014 xonanda (dramatik tenor), O’zbekiston xalq artisti (1974). Toshkent konservatoriyasini tugatgan (1958). O’zbek an’anaviy ijrochilik uslublarini M. Uzoqovdan o’rgangan. Ijodiy faoliyatini Chust tumani kolxoz \u2014 sovxoz teatrida boshlagan (1939-41). Yangiyo’l teatri (1942-45), Toshsovet teatri (1945-47) artisti, O’zbek davlat filarmoniyasi (1948-58), Navoiy nomidagi opera va balet teatri (1958-82)da yakkaxon xonanda. Toshkent teatr va rassomlik san’ati in-tida dars bergan (1982-88). Ijrochilik san’atida opera vokal texnikasi, o’zbek an’anaviy xonandalik uslublari uzviy bog’lanib ketgan. Nafasi keng, baland pardalarni ravon va mohirona egallagan. Musiqali dramalarda qodir, Norbo’ta (S. Abdulla; T. Jalilov, «Tohir va Zuhra», «Oftobxon»), G’irdak (H. Olimjon; Yu. Rajabiy, «Muqanna») va boshqalar obrazlarni yaratgan; operalarda omon (T. Sodiqov, Yu. Rajabiy, D. Zokirov, B. Zeydman, «Zaynab va Omon»), Cho’pon (S. Yudakov, «Maysaraning ishi»), Niyoz (M. Yusupov, «Xorazm qo’shig’i»), Moniy (M. Ashrafiy, «Dilorom»), Qodir (T. Sodiqov, R. Glier, «Gulsara») kabi bosh partiyalarni ijro etgan. Repertuaridan maqom yo’llari («Dugoh», «Bayot» va boshqalar), katta ashula, xalq («Tanavor», «zor etding») va o’zbek bastakorlarining («Ey, sarvi ravon», «Dutorim», «o’ynab o’ting, shabbodalar», «O’zbekistondan» va boshqalar) ashula, Yalla va qo’shiqlari o’rin olgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
YO’LDOSHEV ERGASH (1924.1.5, Chust tumani \u2014 1991.8.1, Toshkent) \u2014 xonanda (dramatik tenor), O’zbekiston xalq artisti (1974). Toshkent konservatoriyasini tugatgan (1958). O’zbek an’anaviy ijrochilik uslublarini M. Uzoqovdan o’rgangan. Ijodiy faoliyatini Chust … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":15012,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[196],"tags":[],"class_list":["post-29858","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-y-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/29858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=29858"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/29858\/revisions"}],"predecessor-version":[{"id":29865,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/29858\/revisions\/29865"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/15012"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=29858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=29858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=29858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}