{"id":31402,"date":"2022-10-20T09:59:57","date_gmt":"2022-10-20T06:59:57","guid":{"rendered":"https:\/\/milliycha.uz\/?p=31402"},"modified":"2022-10-20T09:59:59","modified_gmt":"2022-10-20T06:59:59","slug":"iyqo","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/iyqo\/","title":{"rendered":"IYQO"},"content":{"rendered":"\n<p>IYQO (Arabcha\u2014 tuzmoq, sozlamoq, belgilamoq) \u2014 O&#8217;rta asr musulmon sharqi musiqa ilmining asosiy tushunchalaridan biri. Maxsus atama sifatida aruz va musiqa ilmining asoschisi hisoblanmish Xalil ibn Ahmadning (768 yilda vafot etgan) &#171;Kitobul iyqo&#187; va &#171;Kitobunnag&#8217;am&#187; asarlarida ilk bor qo&#8217;llanganligi taxmin qilinadi. Qadimgi risolalarda Iyqo atamasining 10 dan ortiq ta&#8217;riflari keltiriladi. Shulardan asosiylari: 1) musiqiy harakat (intiqol) ning vaqt (yoki izchillik, takroriylik) jihatidan namoyon bo&#8217;lishi; 2) musiqiy vaqt o&#8217;lchami, faraz qilinuvchi eng kichik zamon birligi (&#171;miqyol ul-avval&#187;, forobiy). Ushbu ma&#8217;noda zamonaviy G&#8217;arb musiqa ilmidagi metr va Sharq aruz nazariyasidagi vazn tushunchalariga mos keladi; 3) musiqiy vaqt o&#8217;lchamlarining sifat ko&#8217;rsatgichi, ya&#8217;ni turli o&#8217;lcham (metr) larning o&#8217;zaro nisbatlari, musiqiy ritm tushunchasiga mos keladi. Agar &#171;iyqo-metr&#187; musiqiy vaqt jarayonini nazariy anglashning dastlabki bosqichi bo&#8217;lsa, &#171;iyqo-ritm&#187; ushbu ilmiy mavhumlashtirishning oliy darajasidir. Abdumannon Nazarov.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>IYQO (Arabcha\u2014 tuzmoq, sozlamoq, belgilamoq) \u2014 O&#8217;rta asr musulmon sharqi musiqa ilmining asosiy tushunchalaridan biri. Maxsus atama sifatida aruz va musiqa ilmining asoschisi hisoblanmish Xalil ibn Ahmadning (768 yilda vafot &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/iyqo\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":16402,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[199],"tags":[],"class_list":["post-31402","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-i-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/31402","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=31402"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/31402\/revisions"}],"predecessor-version":[{"id":31405,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/31402\/revisions\/31405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/16402"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=31402"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=31402"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=31402"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}