Ehtimol, har bir odam kinoda tasvir qay tariqa e’tiborga havola etilishiga e’tibor bergan bo’lsa kerak goh: voqealar yirik planda namoyish etilib, ularning ustiga «bostirib boriladi», gohida esa yiroqdan suratga olinadi. Bu usullar operator ishi uchun majburiy amallarga aylandi. Istalgan film bir talay \u2014 uzun va qisqa sahnalardan tarkib topadi. Ularni ssenariynavislar to’qishadi, rejissyorlar esa amalga oshirishadi. Operatorning vazifasi esa \u2014 o’ynalayotgan voqealarning eng a’lo tasviriga erishish. Buning uchun u har xil planlardan foydalanadi; goho dekoratsiyani umumiy plan bilan ko’rsatadi, gohida kinoapparatni aktyor yuziga maksimal darajada yaqinlashtiradi. Aynan shu narsa yirik plandir. Uning ko’magida biz aktyor ko’zlaridagi yoshlarni, nozik kechinmalarni, umuman uning yuzida zuhur etadigan hamma narsani ko’ramiz. Tag’in bir professional termin mavjud \u2014 bu, amerikacha plan degani bo’lib, unda bosh qahramon butun bo’y-basti bilan ko’rsatiladi. Nihoyat, operator shuningdek keng qamrovli suratga olishdan va harakatlanuvchi kamera bilan suratga olish, ya’ni ustiga bostirib borishdan istifoda etadi. Operator va rejissyor ba’zida topqirlik mo\u2019jizalarini namoyish etishadi. Kamera rels bo’ylab harakatlanayotgan aravachaga ilingan, kran xartumiga osilgan, eskalatorning harakatlanayotgan lentasiga, osma ko’prikka, vertolyotga o’rnatilgan, askar qalpog’iga tang’ilgan bo’lishi ham mumkin.<\/p>\n","protected":false},"excerpt":{"rendered":"
Ehtimol, har bir odam kinoda tasvir qay tariqa e’tiborga havola etilishiga e’tibor bergan bo’lsa kerak goh: voqealar yirik planda namoyish etilib, ularning ustiga «bostirib boriladi», gohida esa yiroqdan suratga olinadi. … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":657,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[21],"tags":[],"class_list":["post-3391","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-bilasizmi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/3391","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=3391"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/3391\/revisions"}],"predecessor-version":[{"id":3393,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/3391\/revisions\/3393"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/657"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=3391"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=3391"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=3391"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}