{"id":34594,"date":"2022-11-18T12:28:43","date_gmt":"2022-11-18T09:28:43","guid":{"rendered":"https:\/\/milliycha.uz\/?p=34594"},"modified":"2022-11-18T12:28:45","modified_gmt":"2022-11-18T09:28:45","slug":"karne-marsel","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/karne-marsel\/","title":{"rendered":"KARNE MARSEL"},"content":{"rendered":"\n<p>KARNE MARSEL (1909.18.8 \u2014 Parij \u2014 1996) \u2014 frantsuz kinorejissyori. Psixologik drama &#171;Jenni&#187; (1936) uning birinchi mustaqil filmi. Karnening asosiy ijodiy mavzusi \u2014 dunyoning omonat, bekarorligi va insonning adovatli dunyodagi boshpanasiz, yolg&#8217;izlik fojiasi bo&#8217;lib, bu mavzu &#171;qirg&#8217;oqdagi tuman&#187;, &#171;Kechki mijozlar&#187;, &#171;Rayka bolalari&#187;, &#171;Tartib o&#8217;rnatish qotillari&#187; kabi filmlarida namoyon bo&#8217;ldi. &#171;Juletta yoki tush ko&#8217;rishga topilgan kalit&#187;, &#171;Tereza Raken&#187;, &#171;Yolg&#8217;onchilar&#187; va boshqa harbiy yillardan keyin suratga olingan eng yaxshi filmlaridir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>KARNE MARSEL (1909.18.8 \u2014 Parij \u2014 1996) \u2014 frantsuz kinorejissyori. Psixologik drama &#171;Jenni&#187; (1936) uning birinchi mustaqil filmi. Karnening asosiy ijodiy mavzusi \u2014 dunyoning omonat, bekarorligi va insonning adovatli dunyodagi &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/karne-marsel\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":32566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[201],"tags":[],"class_list":["post-34594","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-k-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/34594","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=34594"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/34594\/revisions"}],"predecessor-version":[{"id":34595,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/34594\/revisions\/34595"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/32566"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=34594"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=34594"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=34594"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}