{"id":38707,"date":"2022-12-15T09:39:01","date_gmt":"2022-12-15T06:39:01","guid":{"rendered":"https:\/\/milliycha.uz\/?p=38707"},"modified":"2022-12-15T09:39:02","modified_gmt":"2022-12-15T06:39:02","slug":"fuga","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/fuga\/","title":{"rendered":"FUGA"},"content":{"rendered":"\n<p>FUGA (italyancha fuga \u2014 yugurish, qochish) \u2014 polifoniyaning erkin uslubidagi murakkab va eng mukammal musiqiy shakli. Odatda, bir (oddiy Fuga), ba&#8217;zida ikki va undan ortiq (murakkab Fuga) mavzularni imitasiya va boshqa polifonik vositalar yordamida rivojlantirishga asoslanadi. Fuga mavzusi ixcham bo&#8217;lib, muayyan obrazni aks ettiruvchi bir ovozli kuydir. Gomofoniya uslubi ta&#8217;sirida qaror topgan Fugada mavzuning barcha ovozlar bo&#8217;ylab o&#8217;tkazilishi (mavzuning &#171;yugurishi&#187; \u2014 nomi shundan) muayyan ladtonallik (garmoniya) rejasiga muvofiq bajariladi. &#171;Fuga&#187; atamasi dastlab (14-17-asrlar) Kanonga nisbatan qo&#8217;llanilgan. 17-asrda richerkar, kansona, fantaziya (I.Froberger, J. Freskobalvdi, Ya.Svelink) kabi cholg&#8217;u shakllar zaminida Fuga yuzaga kelib, I.S.Bax, G.F.Gendel ijodida yuksak badiiy darajasiga ko&#8217;tariddi. Fuga mustaqil cholg&#8217;u asar, tur kum shaklining muayyan qismi sifatida (masalan, I.Bax, D.Shostakovich, O&#8217;zbekistonda \u2014 G. Mushel, T. Qurbonovlarning &#171;Prelyudiya va F.&#187;turkumlari), yirik asar tarkibida (messa, oratoriya, kantata \u2014 G. Gendel, Y.Gaydn, S.Taneev; operada \u2014 M.Glinka, J.Verdi, R.Vagner; simfoniyada \u2014 S.Raxmaninov) bo&#8217;lishi mumkin.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FUGA (italyancha fuga \u2014 yugurish, qochish) \u2014 polifoniyaning erkin uslubidagi murakkab va eng mukammal musiqiy shakli. Odatda, bir (oddiy Fuga), ba&#8217;zida ikki va undan ortiq (murakkab Fuga) mavzularni imitasiya va &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/fuga\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":32566,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-38707","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/38707","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=38707"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/38707\/revisions"}],"predecessor-version":[{"id":38708,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/38707\/revisions\/38708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/32566"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=38707"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=38707"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=38707"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}