{"id":39375,"date":"2022-12-21T11:40:04","date_gmt":"2022-12-21T08:40:04","guid":{"rendered":"https:\/\/milliycha.uz\/?p=39375"},"modified":"2022-12-21T11:40:06","modified_gmt":"2022-12-21T08:40:06","slug":"fellini-federiko","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/fellini-federiko\/","title":{"rendered":"FELLINI FEDERIKO"},"content":{"rendered":"\n<p>FELLINI FEDERIKO (1920.20.1, Rimini \u2014 1993) \u2014 Italiya kinorejissyori. 1937 yildan Florentsiya, keyinroq Rimda jurnalist sifatida faoliyat yuritgan. Shuningdek, sug&#8217;urta agenti, vitrina bezovchi, karikaturachirassom, reportyor ham bo&#8217;lgan. 1942 yildan tijorat uchun ishlangan komediya va melodramalarga stsenariy yozgan. R. Rosselinining &#171;Rim\u2014ochiq shahar&#187;, &#171;Payza&#187; filmlari yaratilishida qatnashgan. Neorealizm an&#8217;analaridan foydalangan holda o&#8217;zining yorqin kinematografik uslubini yaratdi (&#171;oq Shayx&#187;, &#171;onasining bolalari&#187;, &#171;yo&#8217;l&#187;, &#171;Shirin hayot&#187; va boshqalar). &#171;Sakkiz yarim&#187; nomli yangi yo&#8217;nalishdagi filmida Real obrazlar oqimini qahramonlarning sub&#8217;yektiv qarashlari bilan birlashtirdi. &#171;Rim&#187;, &#171;Amarkor&#187;, &#171;orkestr repetisiyasi&#187;, &#171;intervyu&#187;, &#171;oyning ovozi&#187; kabi filmlari Italiyaning tarixiy taqdiri, milliy mintalitet masalalariga bag&#8217;ishlandi. Fellini ijodiga bag&#8217;ishlangan &#171;Chao, Federiko&#187; filmi ishlangan (rejissyor G. Baxman, 1969).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>FELLINI FEDERIKO (1920.20.1, Rimini \u2014 1993) \u2014 Italiya kinorejissyori. 1937 yildan Florentsiya, keyinroq Rimda jurnalist sifatida faoliyat yuritgan. Shuningdek, sug&#8217;urta agenti, vitrina bezovchi, karikaturachirassom, reportyor ham bo&#8217;lgan. 1942 yildan tijorat &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/fellini-federiko\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":38910,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[200],"tags":[],"class_list":["post-39375","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-f-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/39375","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=39375"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/39375\/revisions"}],"predecessor-version":[{"id":39378,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/39375\/revisions\/39378"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/38910"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=39375"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=39375"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=39375"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}