{"id":4417,"date":"2021-10-18T14:41:04","date_gmt":"2021-10-18T11:41:04","guid":{"rendered":"https:\/\/milliycha.uz\/?p=4417"},"modified":"2025-10-29T14:14:32","modified_gmt":"2025-10-29T11:14:32","slug":"abdurashidov-abdulaxad-abdulxamidovich-kim-bolgan","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/abdurashidov-abdulaxad-abdulxamidovich-kim-bolgan\/","title":{"rendered":"ABDURASHIDOV Abdulaxad Abdulxamidovich kim bo’lgan?"},"content":{"rendered":"\n

ABDURASHIDOV Abdulaxad Abdulxamidovich (1956.11.6, Marg’ilon) \u2014 sozanda (naychi). O’zbekiston xalq artisti (2000). Farg’ona davlat musiqa bilim yurti (1975) va Toshkent davlat konservatoriyasi (1981) ni tugatgan. Marg’ilondagi «Do’stlik» bolalar ansamblida badiiy rahbar (1983-90), O’zteleradiokompaniyasining «Maqom» ansamblida sozanda (1990 yildan). Repertuaridan mumtoz va xalq cholg’u kuylari («Cho’li Iroq», «Yovvoyi Chorgoh», «Qalandar», Eroncha «Shoda-shoda» va boshqalar), o’zbek ashula va katta ashulalarning cholg’u yo’llari («Fig’on», «Hanuz», «Ey, sabo», «Bir kelsun» va boshqalar) o’rin olgan. Ijro uslubiga badihago’ylik, musiqiy-ifodaviy vositalarning yorqinligi, shu jumladan noziq nolalardan mohirona foydalanish xosdir. Bastakor sifatida «Nay nolasi», «Nigohing» kabi kuylarni, «Farg’ona ekan do’stlar», «Marg’ilon atlaslari», «Paydo bo’libdi» va boshqa ashulalarni yaratgan. <\/p>\n","protected":false},"excerpt":{"rendered":"

ABDURASHIDOV Abdulaxad Abdulxamidovich (1956.11.6, Marg’ilon) \u2014 sozanda (naychi). O’zbekiston xalq artisti (2000). Farg’ona davlat musiqa bilim yurti (1975) va Toshkent davlat konservatoriyasi (1981) ni tugatgan. Marg’ilondagi «Do’stlik» bolalar ansamblida badiiy … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-4417","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/4417","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=4417"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/4417\/revisions"}],"predecessor-version":[{"id":162738,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/4417\/revisions\/162738"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/3077"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=4417"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=4417"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=4417"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}