{"id":4856,"date":"2021-10-20T15:58:45","date_gmt":"2021-10-20T12:58:45","guid":{"rendered":"https:\/\/milliycha.uz\/?p=4856"},"modified":"2021-10-20T15:58:46","modified_gmt":"2021-10-20T12:58:46","slug":"avanstsena","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/avanstsena\/","title":{"rendered":"AVANSTSENA"},"content":{"rendered":"\n<p>AVANSTSENA (Fransuzcha avantccene) \u2014 peshsahna, parda bilan orkestr o&#8217;rni orasidagi joy. Opera va balet spektakllarida Avanstsenadan keng foydalaniladi. Drama tomoshalarida esa parda oldida o&#8217;tadigan kichik sahnalarni ko&#8217;rsatish uchun xizmat qiladi. Avanstsenadan o&#8217;rinli foydalanish dekorasiyalarning tez almashuviga imkon yaratib, voqeaning uzluksiz rivojlanishini ta&#8217;minlaydi. Ayrim rejissyorlar asosiy harakatni ham Avanstsenaga olib chiqib, o&#8217;yin maydonini kengaytirganlar. 17 &#8212; asrda Yevropada badavlat oqsuyaklar Avanstsenada o&#8217;tirishgan. O&#8217;zbek rejissyorlari sahnaning butun sathidan, shu jumladan Avanstsenadan keng foydalanishadi. Ayniqsa rejissyor B. Yo&#8217;ldoshev Avanstsenani tomoshabinlar zali bilan bog&#8217;lab, voqealar joyini kengaytirishga erishadi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AVANSTSENA (Fransuzcha avantccene) \u2014 peshsahna, parda bilan orkestr o&#8217;rni orasidagi joy. Opera va balet spektakllarida Avanstsenadan keng foydalaniladi. Drama tomoshalarida esa parda oldida o&#8217;tadigan kichik sahnalarni ko&#8217;rsatish uchun xizmat qiladi. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/avanstsena\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":3077,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-4856","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/4856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=4856"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/4856\/revisions"}],"predecessor-version":[{"id":4857,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/4856\/revisions\/4857"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/3077"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=4856"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=4856"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=4856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}