AMIN UMARIY (1913.20.5, Qo’qon -1942.14.11, Toshkent) \u2014 o’zbek shoiri, dramaturg, tarjimon. Samarqand pedagogika akademiyasida o’qidi. Ishchi fakulteti, O’zDU va Toshkent davlat pedagogika institutida dars berdi (1935 \u2014 36). «Guliston», «O’zbekiston adabiyoti va san’ati» jurnallari hamda «Qizil O’zbekiston» gazetasida ishladi (1937 \u2014 41). Amin Umariyning «Yangroq sadolar» (1932), «Davr tantanasi» (1933), «Yoshlik» (1935), «Farzand», «Sadoqat», «She’rlar», «Bolalik qo’shiqlari», «Ov», \u201cZim» (1937\u2014 39), «Qasamyod» (194? Kabi she’riy to’plamlari, «Toshotar», (1939) kabi hikoya va ocherklari bosilib chiqdi. Amin Umariyning 38-yillardagi she’rlarida yoshlik tuyg’ulari, qaynoq qalb orzulari, yarati; va yuksalish ishtiyoqida mehnat qilayotgan kishilarning kechinmalari aks ettirilgan bo’lib, ular chuqur lirizm, obrazlar, tasvir vositalarp ning jozibadorligi, tilining sodda va yorqinligi bilan ajralib turadi. Amin Umariyning 2 \u2013 jahon urushi yillaridagi she’rlarida kishilarimizning jasorati, matonati kuylangan. Amin Umariy Yashin bilan hamkorlikda «Hamza» (1940), Tuyg’un bilan birgalikda «Qasos» (1941) dramalarini yaratgan. U G. Geyne, T. Shevchenko, M. Yu. Lermontov asarlaridan ayrimlarini o’zbek tiliga tarjima qildi. As: tanlangan asarlar, T., 1951; She’rlar, T., 1973. Ad:. Olimjon A., Amin Umariy, T., 1954;Ikromov O., Amin Umariy, T., 1964.<\/p>\n","protected":false},"excerpt":{"rendered":"
AMIN UMARIY (1913.20.5, Qo’qon -1942.14.11, Toshkent) \u2014 o’zbek shoiri, dramaturg, tarjimon. Samarqand pedagogika akademiyasida o’qidi. Ishchi fakulteti, O’zDU va Toshkent davlat pedagogika institutida dars berdi (1935 \u2014 36). «Guliston», «O’zbekiston … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7570,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-7588","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/7588","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=7588"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/7588\/revisions"}],"predecessor-version":[{"id":7591,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/7588\/revisions\/7591"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/7570"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=7588"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=7588"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=7588"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}