Muhyi (taxallusi; asl ism-sharifi Muhammad Rizo Oxund o\u2018g\u2018li) (1835, Qandahor, Afg\u2018oniston \u2014 1911, Andijon) \u2014 shoir. Turkiy va forsiy tillarda ijod qilgan. Hirot va Buxoro madrasalarida tahsil olgan.<\/p>\n\n\n\n
Muhyi 19-asrning 60-yillari o\u2018rtalarida Andijon shahrida yashagan. Andijon hokimi \u2014 Xudoyorxonning katta o\u2018g\u2018li Nasriddinbek (1865 \u2014 75) Muhyiga \u00abToj ush-shuaro\u00bb (\u00abShoirlar toji\u00bb, 1869) faxriy unvonini bergan. 1871 yil haj ziyoratidan so\u2018ng u \u00abHoji Muhyi\u00bb taxallusini olgan. 1876 yilda Qo\u2018qon xonligi tugatilgach, Muhyi Qo\u2018qonda, Soibzoda hazrat madrasasida yashagan.<\/p>\n\n\n\n
Muhyidan salmoqli ijodiy meros qolgan. Bular jumlasiga shoir devonining turli kotiblar tomonidan ko\u2018chirilgan 6 qo\u2018lyozma nusxasini, Muhyining o\u2018zi tuzgan 1 she\u2019riy to\u2018plamni kiritish mumkin. Forsiy va turkiy devonlari 1 muqovada 1912 yilda Toshkentda, Portsev matbaasida chop etilgan. Forsiy devonida 242 g\u2018azal, 6 qasida, 4 masnaviy, 91 qit\u2019a, 19 fard va 3 ruboiy bor (230 sahifa), turkiy devoni esa 148 g\u2018azal, 1 musaddas, 1 murabba\u2019, 74 qit\u2019a, 1 qasida va 11 mufradot (130 sahifa)dan tashkil topgan.<\/p>\n\n\n\n
Muhyi, asosan, lirik she\u2019rlar yozgan. G\u2018azaliyotida Navoiy, Lutfiy, So\u2018fi Olloyor ijodining ta\u2019siri seziladi. Satirik asarlarida, xususan, mashhur Viktor voqeasi haqidagi muxammasida o\u2018lkaga kirib kelayotgan rus sarmoyadorlarining kirdikorlari, ularga ishonib aldangan mahalliy boylar hajv ostiga olingan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Muhyi (taxallusi; asl ism-sharifi Muhammad Rizo Oxund o\u2018g\u2018li) (1835, Qandahor, Afg\u2018oniston \u2014 1911, Andijon) \u2014 shoir. Turkiy va forsiy tillarda ijod qilgan. Hirot va Buxoro madrasalarida tahsil olgan. Muhyi 19-asrning … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7366,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"class_list":["post-8216","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adabiyot","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8216","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=8216"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8216\/revisions"}],"predecessor-version":[{"id":163594,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8216\/revisions\/163594"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/7366"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=8216"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=8216"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=8216"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}