Nozimaxonim (1870 \u2013 Toshkent \u2014 1924) \u2014 shoira. O\u2018zbek ayollari orasidan chiqqan birinchi jurnalist-publitsist. Tatar, arab va fors tillarini o\u2018rgangan. Orenburg va Qozonda chiqib turgan matbuotni muntazam kuzatib borgan. Yevropa adabiyoti va madaniyati bilan tanish, erkparvarlik g\u2018oyalaridan bahramand bo\u2018lgan. O\u2018zbek va fors mumtoz adabiyotini, ayniqsa, Sa\u2019diy, Hofiz asarlarini o\u2018qigan.<\/p>\n\n\n\n
She\u2019r va maqolalari 1900 yildan matbuotda bosilgan. 20 yoshlarida shoira \u00abbeshyog\u2018ochlik Nozimaxonim\u00bb nomi bilan mashhur bo\u2018lgan. Taraqqiyot, ma\u2019rifat va madaniyatni tashviq etuvchi she\u2019r va manzumalari, jaholat, bid\u2019at-xurofotni fosh etuvchi asarlari, zamonasidagi ijtimoiy tengsizlik va avj olgan milliy istibdoddan keskin norozilik bayon qilingan o\u2018tkir hajviy she\u2019rlari \u00abShuhrat\u00bb, \u00abSadoyi Turkiston\u00bb, \u00abTaraqqiy\u00bb kabi gazetalarda muntazam chiqib turgan. Shoira mehnatkash xalqning milliy ozodlik harakatini qo\u2018llab-quvvatlagan, xotin-qizlarning jamiyatdagi roli va o\u2018rni haqida asarlar yozgan, jaholat va zulm poymol etgan o\u2018zbek ayolining milliy, insoniy haq-huquklarini talab qilib chiqqan (\u00abInsonga qancha erk darkor?\u00bb, \u00abIlm va maorif borasida bir-ikki so\u2018z\u00bb, \u00abXotinlar huquqiga oid\u00bb va b.).<\/p>\n\n\n\n
Nozimaxonim she\u2019riyati 1905\u201417 yillar o\u2018zbek adabiyotining yetakchi tamoyillarini aniklashda, 20-yillar o\u2018zbek she\u2019riyatining xarakterli xususiyatlarini belgilashda muhim ahamiyatga ega.<\/p>\n","protected":false},"excerpt":{"rendered":"
Nozimaxonim (1870 \u2013 Toshkent \u2014 1924) \u2014 shoira. O\u2018zbek ayollari orasidan chiqqan birinchi jurnalist-publitsist. Tatar, arab va fors tillarini o\u2018rgangan. Orenburg va Qozonda chiqib turgan matbuotni muntazam kuzatib borgan. Yevropa … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":7366,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"class_list":["post-8248","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adabiyot","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8248","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=8248"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8248\/revisions"}],"predecessor-version":[{"id":163648,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8248\/revisions\/163648"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/7366"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=8248"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=8248"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=8248"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}