{"id":8270,"date":"2021-11-06T08:11:02","date_gmt":"2021-11-06T05:11:02","guid":{"rendered":"https:\/\/milliycha.uz\/?p=8270"},"modified":"2021-11-06T08:11:03","modified_gmt":"2021-11-06T05:11:03","slug":"amplua","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/amplua\/","title":{"rendered":"AMPLUA"},"content":{"rendered":"\n<p>AMPLUA (Fransuzcha emploi \u2014 foydalanish) \u2014 aktyor imkoniyatlariga mos tushadigan rollar turkumi. Ma&#8217;lum rollarga ixtisoslashish barcha mamlakat teatrlari taraqqiyoti tarixida uchraydi. Ampluada ishlash, ayniqsa, Sharq teatriga xos. 17-asr oxiriga kelib yapon teatri (Kabuki)da Ampluaning 8 guruhi tarkib topdi. Hind teatrida esa Ampluaning 12 guruhi maydonga keldi. Ma&#8217;lum davrgacha Amplua ijobiy rol o&#8217;ynagan. Ammo, keyinchalik Amplua tizimi aktyorlar ijodida qolip va nusxalarni keltirib chiqardi, mumtoz dramaturgiyaning ayrim asarlari Amplua doirasiga sig&#8217;may qoldi. Sahnada hayotni aynan aks ettirish usuli maydonga kelgach, Amplua tizimi inqirozga yuz tuta boshladi. O&#8217;zbek teatrining shakllanish davrida aktyorlik san&#8217;atida Amplua mavjud edi. Aktyorlar realistik sahna qonuniyatlarini puxta o&#8217;zlashtirgan sayin turli mazmundagi rollarni ijro etishga o&#8217;tib, Ampluadan uzoqlashdilar. Lekin har bir aktyorning sevgan rollari, o&#8217;z ijodiy mavzui bo&#8217;ladi, buni Amplua bilan adashtirmaslik kerak. Amplua maydonlarda ko&#8217;rsatiladigan spektakllarda hamon ishlatiladi. Ampluaga asoslangan Sharq an&#8217;anaviy teatri (Yaponiya, Xitoy, Hindiston) shu kunlarda ham faoliyat ko&#8217;rsatib kelmoqda.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>AMPLUA (Fransuzcha emploi \u2014 foydalanish) \u2014 aktyor imkoniyatlariga mos tushadigan rollar turkumi. Ma&#8217;lum rollarga ixtisoslashish barcha mamlakat teatrlari taraqqiyoti tarixida uchraydi. Ampluada ishlash, ayniqsa, Sharq teatriga xos. 17-asr oxiriga kelib &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/amplua\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":8256,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-8270","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8270","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=8270"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8270\/revisions"}],"predecessor-version":[{"id":8272,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8270\/revisions\/8272"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/8256"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=8270"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=8270"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=8270"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}