Barokko (italyancha barocco-ajib, g\u2019alati)-XVI asr oxiri-XVIII asr o\u2019rtalarida Yevropa va Amerika san\u2019atidagi asosiy uslublardan biri. Yevropada millat va milliy davlatlar jadal shakllanayotgan davrda Uyg\u2019onish davri badiiy madaniyati va sub\u2019yektiv his-tuyg\u2019ularni ifodalovchi manyerizm o\u2019rniga vujudga keldi. Aristokratiya va cherkov bilan bog\u2019liq bo\u2019lgan. Barokko san\u2019ati ularning shon-huhratini oshirishga hamda targ\u2019ib etishga qaratilgandi. Barokko san\u2019atiga antifeodal chiqishlar, milliy ozodlik harakatlari o\u2019z ta\u2019sirini ko\u2019rsatib, unga demokratik isyonkorlik ruhini kiritdi. Barokko uslubida qurilgan me\u2019moriy majmualar faozfiy yechimi, mayda me\u2019moriy bezaklarga mo\u2019lligi va yagona g\u2019oyaga bo\u2019ysunishi bilan ajralib turadi. Me\u2019morlar shahar ko\u2019cha va maydonlariga, u yerdagi mavjud qurilishlarga ulug\u2019vorlik berish uchun turli optik va boshqa qonunlarga murojaat qiladilar, teskari perspektiva qonunlaridan foydalaniladilar. Tasviriy san\u2019atda diniy, mifologik va majoziy mavzulardagi bezak mujassamotlar, tantanavor dabdabali portretlar keng o\u2019rin egallaydi. Barokko Italiyada rivojlanib, Yevropaga keng yoyildi. Keyinroq esa yevropaliklar bosib olgan qit\u2019a va mintaqalarga ham bu san\u2019at ta\u2019siri kirib bordi.<\/p>\n","protected":false},"excerpt":{"rendered":"
Barokko (italyancha barocco-ajib, g\u2019alati)-XVI asr oxiri-XVIII asr o\u2019rtalarida Yevropa va Amerika san\u2019atidagi asosiy uslublardan biri. Yevropada millat va milliy davlatlar jadal shakllanayotgan davrda Uyg\u2019onish davri badiiy madaniyati va sub\u2019yektiv his-tuyg\u2019ularni … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":55935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[371],"tags":[],"class_list":["post-86658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-b-harfiga-oid-tarixga-oid-ensiklopedik-atamalar","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/86658","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=86658"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/86658\/revisions"}],"predecessor-version":[{"id":86682,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/86658\/revisions\/86682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/55935"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=86658"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=86658"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=86658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}