Rauf Parfi (taxallusi; asl ism-sharifi Tursunali Parfiyev; 1943.27.9, Toshkent viloyati Sho\u2018ralisoy qishlog\u2018i \u2014 2005) \u2014 shoir va tarjimon. O\u2018zbekiston xalq shoiri (1999).<\/p>\n\n\n\n
ToshDUning filologiya fakultetini tugatgan (1960\u201465). Turli yillarda Kinematografiya davlat qo\u2018mitasi, \u00abOydin\u00bb gazetasi, Fafur G\u2018ulom nomidagi Adabiyot va san\u2019at hamda \u00abYozuvchi\u00bb nashriyotlarida muharrir bo\u2018lib ishlagan.<\/p>\n\n\n\n
Birinchi she\u2019ri 1957 yilda e\u2019lon qilingan. \u00abKarvon yo\u2018li\u00bb (1968), \u00abAks-sado\u00bb (1970), \u00abTasvir\u00bb (1973), \u00abXotirot\u00bb (1974), \u00abKo\u2018zlar\u00bb (1976), \u00abQaytish\u00bb (1981), \u00abSabr daraxti\u00bb (1986), \u00abSukunat\u00bb (1991), \u00abTavba\u00bb (2001) she\u2019riy to\u2018plamlari bor.<\/p>\n\n\n\n
Rauf Parfi lirik qahramon ruhiy olamining nozik evrilishlarini mahorat bilan tasvir etuvchi she\u2019rlari bilan tanilgan. Shoir so\u2018zning rang va ohanglaridan, she\u2019riy tasvir vositalaridan o\u2018ziga xos uslubda foydalanadi. She\u2019rlari bir necha xorijiy tillarga tarjima kilingan.<\/p>\n\n\n\n
Rauf Parfi Bayronning \u00abManfred\u00bb, Nozim Hikmatning \u00abInson manzaralari\u00bb, Karlo Kaladzening \u00abDengiz xayoli\u00bb va boshqa jahon she\u2019riyati klassiklarining she\u2019rlarini o\u2018zbek tiliga tarjima qilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"
Rauf Parfi (taxallusi; asl ism-sharifi Tursunali Parfiyev; 1943.27.9, Toshkent viloyati Sho\u2018ralisoy qishlog\u2018i \u2014 2005) \u2014 shoir va tarjimon. O\u2018zbekiston xalq shoiri (1999). ToshDUning filologiya fakultetini tugatgan (1960\u201465). Turli yillarda Kinematografiya … Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":8883,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[100],"tags":[],"class_list":["post-8880","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-adabiyot","entry"],"translation":{"provider":"WPGlobus","version":"3.0.0","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8880","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=8880"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8880\/revisions"}],"predecessor-version":[{"id":163720,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/8880\/revisions\/163720"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/8883"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=8880"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=8880"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=8880"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}