{"id":90433,"date":"2023-07-14T17:13:17","date_gmt":"2023-07-14T14:13:17","guid":{"rendered":"https:\/\/milliycha.uz\/?p=90433"},"modified":"2023-07-14T17:13:21","modified_gmt":"2023-07-14T14:13:21","slug":"memuar","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/memuar\/","title":{"rendered":"Memuar"},"content":{"rendered":"\n<p>Memuar (fransuzcha memoire-xotira, esdalik), yodnoma, esdalik-real voqea-hodisalar ishtirokchisi yoki guvohining o\u2019tmish haqidagi xotira asari. Memuar uchun birinchi shaxs nomidan bayon qilinishi, voqealar va faktik materiallarning ko\u2019pligi, muallifning tasvir ob\u2019yektiga sub\u2019yektiv munosabatining o\u2019ziga os shaklda namoyon bo\u2019lishi xarakterlidir. Memuarda real voqealar majmuasi ko\u2019pincha siyosiy xronika, biografik va ilmiy ahamiyatga ega materiallar bilan uzviy bog\u2019lanib ketadi. Memuarning ilk namunalari antik adabiyotda yaratilgan. O\u2019rta asrlar, uyg\u2019onish va keyingi davrlarda Memuarning xilma-xil turlari paydo bo\u2019ldi. Memuar yaratish Sharq adabiyotida qadimgi an\u2019analarga ega. Nosir Xisravning \u201cSafarnoma\u201d, Zayniddin Vosifiyning \u201cBadoye ul-vaqoye\u201d, Boburning \u201cBoburnoma\u201d asarlari Memuar namunalaridir. Memuarlarning tarixiy hujjat sifatidagi qimmati ularga xos qilib olingan voqealarning mohiyati, bayonning izchil va aniqligi bilan belgilanadi. Turmushning turli vositalari, xalq urf-odatlarining aniq tasvir etilishi jihatidan Memuarlar etnografiya uchun muhim manbadir.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Memuar (fransuzcha memoire-xotira, esdalik), yodnoma, esdalik-real voqea-hodisalar ishtirokchisi yoki guvohining o\u2019tmish haqidagi xotira asari. Memuar uchun birinchi shaxs nomidan bayon qilinishi, voqealar va faktik materiallarning ko\u2019pligi, muallifning tasvir ob\u2019yektiga sub\u2019yektiv &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/memuar\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":55935,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[383],"tags":[],"class_list":["post-90433","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfiga-oid-tarixga-oid-ensiklopedik-atamalar","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/90433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=90433"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/90433\/revisions"}],"predecessor-version":[{"id":90444,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/90433\/revisions\/90444"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/55935"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=90433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=90433"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=90433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}