{"id":94000,"date":"2023-07-24T13:08:52","date_gmt":"2023-07-24T10:08:52","guid":{"rendered":"https:\/\/milliycha.uz\/?p=94000"},"modified":"2023-07-24T13:08:55","modified_gmt":"2023-07-24T10:08:55","slug":"jonlantirish","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/jonlantirish\/","title":{"rendered":"Jonlantirish"},"content":{"rendered":"\n<p>Jonlantirish (adabiyotda) &#8212; istiora turlaridan biri, odamlarga xos sifatlarni jonsiz hodisa va buyumlarga ko&#8217;chirish. Jonlantirish inson tafakkuri bilan bog&#8217;liq. Inson voqelikdagi narsa va hodisalarni qiyoslash, o&#8217;xshatishlar, bo&#8217;rttirishlar orqali jonliroq va aniqroq tasavvur qilishga, aniq, ilmiy tafakkur qilish bilan birga badiiy fikrlashga ham intiladi. Shuning uchun Jonlantirish faqat badiiy asarlarda emas, jonli tilda ham uchraydi: &#171;dengiz hayqiradi&#187;, &#171;daraxt yig&#8217;laydi&#187; va boshqalar. Jonlantirish o&#8217;zbek adabiyoti tarixida 2 xil ko&#8217;rinishda namoyon bo&#8217;lgan: tashhis (shaxs bilan bog&#8217;liq) \u2014 shaxsga xos sifatlarni jonsiz narsalar va hodisalarga berish: intoq (nutq bilan bog&#8217;liq) \u2014 narsa va hodisalarni nutq egasi qilib ko&#8217;rsatish. Jonlantirish ertak va masallarda, shuningdek, munozaralarda keng qo&#8217;llaniladi. Masalan, Gulxaniyning &#171;Zarbulmasal&#187;ida, Solohiyning &#171;gulbulbul&#187;ida, Majlisiyning &#171;Qissai Sayfulmuluk&#187; asarlarida Jonlantirishning har ikki turi ko&#8217;p uchraydi. Hozirgi o&#8217;zbek adabiyotida ham Jonlantirishning ajoyib namunalari mavjud.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jonlantirish (adabiyotda) &#8212; istiora turlaridan biri, odamlarga xos sifatlarni jonsiz hodisa va buyumlarga ko&#8217;chirish. Jonlantirish inson tafakkuri bilan bog&#8217;liq. Inson voqelikdagi narsa va hodisalarni qiyoslash, o&#8217;xshatishlar, bo&#8217;rttirishlar orqali jonliroq va &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/jonlantirish\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[208],"tags":[],"class_list":["post-94000","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-j-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/94000","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=94000"}],"version-history":[{"count":2,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/94000\/revisions"}],"predecessor-version":[{"id":94002,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/94000\/revisions\/94002"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=94000"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=94000"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=94000"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}