{"id":95640,"date":"2023-07-31T09:06:52","date_gmt":"2023-07-31T06:06:52","guid":{"rendered":"https:\/\/milliycha.uz\/?p=95640"},"modified":"2023-07-31T09:06:56","modified_gmt":"2023-07-31T06:06:56","slug":"mavlonova-oysha","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/mavlonova-oysha\/","title":{"rendered":"Mavlonova Oysha"},"content":{"rendered":"\n<p>Mavlonova Oysha (1922.7.2, Turkiston \u2014 1991.1.12, Samarqand) \u2014 opera xonandasi (messosoprano) va aktrisa. O&#8217;zbekiston xalq artisti (1974). H. Nosirovaning izdoshi. Jizzax kolxoz\u2014sovxoz teatri (1939-46), Samarqanddagi H. Olimjon nomidagi teatr (1946-64), Samarqand opera va balet teatri (1964-77) da aktrisa va xonanda. Sahnaviy iste&#8217;dod va keng diapazonli ovozga ega bo&#8217;lgan. Mavlonova &#171;Gulsara&#187; (R. Glier, T. Sodiqov), &#171;Nurxon&#187; (T. Jalilov), &#171;Nodira&#187; (K. Jabborov, S. Hayitboev), &#171;Suymaganga suykanma&#187; (S. Xo&#8217;janiyozov), &#171;Oltin ko&#8217;l&#187; (M. Leviev), &#171;oshik g&#8217;arib&#187; (K. Otaniyozov va M.Yusupov) kabi musiqali dramalarda, &#171;Farhod va Shirin&#187; (V. Uspenskiy va G. Mushel), &#171;Maysaraning ishi&#187; (S. Yudakov), &#171;Hamza&#187; (S. Boboyev) va boshqa operalarda bosh partiyalarni ijro etgan. Mavlonova o&#8217;z qahramonlarining ruhiy holati, ichki dunyosini psixologik teranlik va izchillikda mohirona talqin etgan. Kontsert repertuaridan, &#171;Munojot&#187;, &#171;Chorgoh&#187; va boshqa mumtoz ashulalar o&#8217;rin olgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mavlonova Oysha (1922.7.2, Turkiston \u2014 1991.1.12, Samarqand) \u2014 opera xonandasi (messosoprano) va aktrisa. O&#8217;zbekiston xalq artisti (1974). H. Nosirovaning izdoshi. Jizzax kolxoz\u2014sovxoz teatri (1939-46), Samarqanddagi H. Olimjon nomidagi teatr (1946-64), &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/mavlonova-oysha\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-95640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/95640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=95640"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/95640\/revisions"}],"predecessor-version":[{"id":95641,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/95640\/revisions\/95641"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=95640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=95640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=95640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}