{"id":95662,"date":"2023-07-31T09:28:33","date_gmt":"2023-07-31T06:28:33","guid":{"rendered":"https:\/\/milliycha.uz\/?p=95662"},"modified":"2023-07-31T09:28:36","modified_gmt":"2023-07-31T06:28:36","slug":"mominova-shahnoza","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/mominova-shahnoza\/","title":{"rendered":"Mo&#8217;minova Shahnoza"},"content":{"rendered":"\n<p>Mo&#8217;minova Shahnoza (1949.21.8, Toshkent) \u2014 kulol, zamonaviy kulollik san&#8217;atining taniqli namoyandasi. O&#8217;zbekiston Badiiy Akademiyasi akademik (1990). Toshkent teatr va rassomlik san&#8217;ati institutini tugatgan (1974). Toshkent politexnika instituti (1974-95) va Respublika rassomlik bilim yurti (1995-98) da dars bergan, ayni vaqtda, Toshkent keramika zavodi ijodiy guruhida ishlagan; 1996 yildan Respublika bolalar ijodiyoti markazida studiya rahbari. Mo&#8217;minova ijodi kompozitsiya va nafis rang koloritini nozik his eta olishi bilan diqqatga sazovor; chinni kompozitsiyalari, mo&#8217;jaz shaklli asarlari milliy ohanglarni zamonaviy talqin etish mahorati bilan ajralib turadi: &#171;ko&#8217;za&#187; (1975), &#171;voha&#187; (1995), &#171;Sharq ayollari&#187;, &#171;Uchrashuv&#187; (1997), &#171;tong&#187; (1999) va boshqalar. 1974 yildan respublika va xorijiy mamlakatlardagi yirik ko&#8217;rgazmalarda faol ishirok etadi (jumladan, AKD], Turkiya, Germaniya va boshqalarda shaxsiy ko&#8217;rgazmalari muvaqqiyatli o&#8217;tkazilgan).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Mo&#8217;minova Shahnoza (1949.21.8, Toshkent) \u2014 kulol, zamonaviy kulollik san&#8217;atining taniqli namoyandasi. O&#8217;zbekiston Badiiy Akademiyasi akademik (1990). Toshkent teatr va rassomlik san&#8217;ati institutini tugatgan (1974). Toshkent politexnika instituti (1974-95) va Respublika &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/mominova-shahnoza\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[217],"tags":[],"class_list":["post-95662","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-m-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/95662","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=95662"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/95662\/revisions"}],"predecessor-version":[{"id":95663,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/95662\/revisions\/95663"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=95662"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=95662"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=95662"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}