{"id":9598,"date":"2021-11-11T11:54:11","date_gmt":"2021-11-11T08:54:11","guid":{"rendered":"https:\/\/milliycha.uz\/?p=9598"},"modified":"2021-11-11T11:54:12","modified_gmt":"2021-11-11T08:54:12","slug":"antifon","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/antifon\/","title":{"rendered":"ANTIFON"},"content":{"rendered":"\n<p>ANTIFON (Yunoncha antiphonos \u2014 javoban sadolanuvchi; anti \u2014 qarshi va phon \u2014 ovoz, tovush) \u2014 ikki xorning yoki yakkaxon xonanda bilan xorning navbatma-navbat kuylashi. Kelib chiqishiga ko&#8217;ra yunon fojiasi bilan bog&#8217;liq bo&#8217;lib, unda xor ikkiga ajralib kuylagan. Keyinchalik turli cherkov xorlariga, jumladan xristian diniy-musiqiy marosimiga kiritilish. Antifon uslub sifatida Yevropa kompozitorlarining ko&#8217;p asarlarida qo&#8217;llanilgan. O&#8217;zbek xalqi musiqasida ham Antifon uslubi mavjud, ayniqsa, an&#8217;anaviy katta ashula, Yalla va boshqalar ijrochiligida kuzatiladi. &#171;Shashmaqom&#187;ning aytim yo&#8217;llarini ijro etishda yakkaxon bilan bir guruh xonandalar yoki ayollar bilan erkaklarning navbatma-navbat kuylashi ham Antifon hisoblanadi. M. Burhonov, S. Boboev, B. Umidjonov va boshqa o&#8217;zbek kompozitorlarining jo&#8217;rsiz xor uchun yaratgan asarlari ham Antifonga misol bo\u2019ladi.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>ANTIFON (Yunoncha antiphonos \u2014 javoban sadolanuvchi; anti \u2014 qarshi va phon \u2014 ovoz, tovush) \u2014 ikki xorning yoki yakkaxon xonanda bilan xorning navbatma-navbat kuylashi. Kelib chiqishiga ko&#8217;ra yunon fojiasi bilan &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/antifon\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":9243,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107],"tags":[],"class_list":["post-9598","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-a-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/9598","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=9598"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/9598\/revisions"}],"predecessor-version":[{"id":9602,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/9598\/revisions\/9602"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/9243"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=9598"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=9598"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=9598"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}