{"id":97509,"date":"2023-08-04T18:55:11","date_gmt":"2023-08-04T15:55:11","guid":{"rendered":"https:\/\/milliycha.uz\/?p=97509"},"modified":"2023-08-04T18:55:15","modified_gmt":"2023-08-04T15:55:15","slug":"vazirov-najafbek","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/vazirov-najafbek\/","title":{"rendered":"Vazirov Najafbek"},"content":{"rendered":"\n<p>Vazirov Najafbek (Fataliboy o&#8217;g&#8217;li) [1854. 5(17). 2, Shusha &#8212; 1926. 9. 7, Boku]\u2014 Ozarbayjon dramaturgi, Publitsist, jamoat arbobi. Azerbaydjon zamonaviy teatrining asoschilaridan. Ilk bor Bokuda (Ozarbayjon tilida) Mirza Fatali Oxundovning &#171;lenkoron xonining vaziri&#187; va &#171;Hoji qora&#187; komediyalarini sahnalashtirishda ishtirok etgan (1873). &#171;Eti sizniki, suyagi bizniki&#187; (1873), &#171;uy tarbiyasining bir shakli&#187; (1875) komediyalarida eski o&#8217;qituv usuli, ibtidoiy ta&#8217;lim shakli tanqid qilinadi. &#171;Baxtsiz&#187; (1874) dramasida ayollarning qismati, turmushdagi huquqsizligi tasvirlanadi. &#171;Musibati Faxriddin&#187; (1896) Ozarbayjon dramaturgiyasidagi birinchi fojiaviy dramadir. &#171;Uy tarbiyasining bir shakli&#187;, &#171;Musibati Faxriddin&#187; asarlari Abdulla Avloniy tomonidan o&#8217;zbek tiliga tarjima qilinib, Toshkentdagi &#171;Turon&#187; teatr truppasi tomonidan sahnalashtirilgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Vazirov Najafbek (Fataliboy o&#8217;g&#8217;li) [1854. 5(17). 2, Shusha &#8212; 1926. 9. 7, Boku]\u2014 Ozarbayjon dramaturgi, Publitsist, jamoat arbobi. Azerbaydjon zamonaviy teatrining asoschilaridan. Ilk bor Bokuda (Ozarbayjon tilida) Mirza Fatali Oxundovning &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/vazirov-najafbek\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[207],"tags":[],"class_list":["post-97509","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-v-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/97509","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=97509"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/97509\/revisions"}],"predecessor-version":[{"id":97519,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/97509\/revisions\/97519"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=97509"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=97509"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=97509"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}