{"id":98148,"date":"2023-08-08T12:57:07","date_gmt":"2023-08-08T09:57:07","guid":{"rendered":"https:\/\/milliycha.uz\/?p=98148"},"modified":"2023-08-08T12:57:10","modified_gmt":"2023-08-08T09:57:10","slug":"latipov-rahmatjon-mamadaliyevich","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/latipov-rahmatjon-mamadaliyevich\/","title":{"rendered":"Latipov Rahmatjon Mamadaliyevich"},"content":{"rendered":"\n<p>Latipov Rahmatjon Mamadaliyevich (1941.1.5, Samarqand) \u2014 opera xonandasi (tenor), O&#8217;zbekiston xalq artisti (1999). Toshkent konservatoriyasini tugatgan (1970). Samarqand opera va balet teatri (1970-92), Navoiy teatri (1992 yildan) da yakkaxon xonanda. O&#8217;zgarishlarga boy, chiroyli va kuchli ovoz sohibi. Opera sahnasida Moniy (M. Ashrafiy, &#171;Dilorom&#187;), Cho&#8217;ponali (S. Yudakov, &#171;Maysaraning ishi&#187;), Almaviva (J. Rossini, &#171;Sevilya sartaroshi&#187;), Alfred, Gersog, Manrike, Otello (J. Verdi, &#171;Traviata&#187;, &#171;Rigoletto&#187;, &#171;Trubadur&#187;, &#171;Otello&#187;), Lenskiy, German (P. Chaykovskiy, &#171;Yevgeniy Onegin&#187;, &#171;Qarg&#8217;a motkasi&#187;) va boshqalar; operettada danila (Legar, &#171;xushchaqchaq beva&#187;), Genrix Eyzenshteyn (Shtraus, &#171;Ko&#8217;rshapalak&#187;) kabi rollarni ijro etgan. Kontsert repertuaridan o&#8217;zbek va rus kompozitorlari romans hamda estrada qo&#8217;shiqlari (I. Akbarovning &#171;yor, kel&#187;, &#171;Ra&#8217;no&#187;, S. Yudakovning &#171;kuylama, sohibjamol&#187; va boshqalar), Neapol xalq qo&#8217;shiqlari o&#8217;rin olgan.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Latipov Rahmatjon Mamadaliyevich (1941.1.5, Samarqand) \u2014 opera xonandasi (tenor), O&#8217;zbekiston xalq artisti (1999). Toshkent konservatoriyasini tugatgan (1970). Samarqand opera va balet teatri (1970-92), Navoiy teatri (1992 yildan) da yakkaxon xonanda. &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/latipov-rahmatjon-mamadaliyevich\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[223],"tags":[],"class_list":["post-98148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-l-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/98148","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=98148"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/98148\/revisions"}],"predecessor-version":[{"id":98151,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/98148\/revisions\/98151"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=98148"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=98148"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=98148"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}