{"id":98983,"date":"2023-08-13T13:46:14","date_gmt":"2023-08-13T10:46:14","guid":{"rendered":"https:\/\/milliycha.uz\/?p=98983"},"modified":"2023-08-13T13:46:18","modified_gmt":"2023-08-13T10:46:18","slug":"velde-van-de-velde-xenri-anri-klemens-van-de","status":"publish","type":"post","link":"https:\/\/milliycha.uz\/ru\/velde-van-de-velde-xenri-anri-klemens-van-de\/","title":{"rendered":"Velde (van de Velde) Xenri (Anri) Klemens van de"},"content":{"rendered":"\n<p>Velde (van de Velde) Xenri (Anri) Klemens van de (1863.3.4, Antverpen \u2014 1957.25.10, Syurix) \u2014 belgiyalik me&#8217;mor va bezak san&#8217;ati ustasi. &#171;Modern&#187; uslubining boshlovchilaridan. Nemis &#171;Verkbund&#187; birlashmasi (me&#8217;morlar, bezak san&#8217;ati ustalari va sanoatchilarni birlashtiruvchi)ning asoschilaridan biri (1907). Mebel loyihalarida (1894 y.dan), interer bezaklarida (Germaniya, Xagendagi Folkvang muzeyi, 1901-02) va Kurili shaharlarda (Bryusseldagi Blumenverf uyi, 1895) &#171;modern&#187; uslubi tashabbuskori sifatida egri chiziqli shakl va bezaklardan foydalangan. Me&#8217;mor va nazariyotchi sifatida ratsionalizm asoschisi va rahbarlaridan biri bo&#8217;lgan (Veymardagi badiiy sanoat maktabi, 1904; Kyolndagi Verkbund teatri, 1914). Keyinroq funktsionalizm asoschilaridan, nazariyotchisi va rahbarlaridan biri bo&#8217;ldi (Veymardagi me&#8217;morlik va qurilish oliy maktabi; 1904-07; Gentdagi kutubxona, 1935-40; Otterlodagi Kryoller-Myuller muzeyi, 1938-54 va boshqalar).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Velde (van de Velde) Xenri (Anri) Klemens van de (1863.3.4, Antverpen \u2014 1957.25.10, Syurix) \u2014 belgiyalik me&#8217;mor va bezak san&#8217;ati ustasi. &#171;Modern&#187; uslubining boshlovchilaridan. Nemis &#171;Verkbund&#187; birlashmasi (me&#8217;morlar, bezak san&#8217;ati &hellip; <a href=\"https:\/\/milliycha.uz\/ru\/velde-van-de-velde-xenri-anri-klemens-van-de\/\" class=\"more-link\">Read More<\/a><\/p>\n","protected":false},"author":1,"featured_media":56191,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[207],"tags":[],"class_list":["post-98983","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-v-harfi","entry"],"translation":{"provider":"WPGlobus","version":"3.0.2","language":"ru","enabled_languages":["uz","kr","ru"],"languages":{"uz":{"title":true,"content":true,"excerpt":false},"kr":{"title":false,"content":false,"excerpt":false},"ru":{"title":false,"content":false,"excerpt":false}}},"_links":{"self":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/98983","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/comments?post=98983"}],"version-history":[{"count":1,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/98983\/revisions"}],"predecessor-version":[{"id":98985,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/posts\/98983\/revisions\/98985"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media\/56191"}],"wp:attachment":[{"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/media?parent=98983"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/categories?post=98983"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/milliycha.uz\/ru\/wp-json\/wp\/v2\/tags?post=98983"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}